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Gloss, satin and lustre photo papers

Resin-coated photo papers usually take a coating well, but drying, gloss changes and paper type all need attention. A practical guide.

Gloss, satin and lustre photo papers are the backbone of photographic printing, used for everything from exhibition prints and wedding albums to large wall prints in offices and hotels. Most are resin-coated papers with a microporous receiving layer that absorbs ink quickly and gives sharp detail and deep blacks.

That receiving layer is also the reason these papers need protecting. It is porous by design, so an uncoated print can be marked by fingerprints, water or airborne pollutants, and gloss surfaces scuff easily. Prints displayed unframed or as large face-mounted or board-mounted pieces are especially exposed.

How coating changes a photo print

Practical guidance

Let the print dry properly

Microporous papers feel dry almost immediately, but ink carrier stays in the coating layer for some time, especially in dense shadows. Coating too early can cause cloudiness or uneven gloss. Give prints time to dry fully before coating.

Choose a method to suit the size

ClearJet aerosols in gloss and semi-gloss are well suited to smaller photo prints and one-offs. Large prints and regular production benefit from a liquid lamination machine for an even layer. See the ClearJet range and coatings.

Pigment versus dye

Pigment prints on photo paper usually coat well. Dye prints are more prone to fading and moisture damage, and some can bleed under a solvent coating, so test carefully and keep expectations realistic.

Avoid these mistakes

Want to see how your paper looks coated before you commit? Send us a print and we will run a test, or call 01252 624 411 to discuss finishes.

Need advice on your prints?

Tell us your printer, ink and media and we'll recommend the right protection.