Specialist distributor of inkjet media, protective coatings & lamination ☎ 01252 624 411  ·  info@landoruk.com

Backlit films and lightbox graphics

Backlit graphics are judged with light shining through them. How a protective coating affects lightbox prints, and how to test it properly.

Lightbox graphics work differently from almost every other print. They are seen with light passing through them, so what matters is not just the surface but the whole stack: ink, media and anything applied on top. A coating that looks perfect on a reflective print can change the way a backlit image glows.

Backlit films and fabrics are used in shop windows, airports, cinemas, menu boards, museums and exhibition stands. They are often printed with extra ink density, sometimes with a double-strike or day/night mode, so the image still looks rich when lit from behind.

Does a backlit graphic need protecting?

Many sit behind a lightbox cover or acrylic face and need no protection at all. Coating is more useful when:

How coating affects backlit prints

An even, clear coat should not dramatically change a lit image, but any unevenness will show. Streaks, pooling, dust and brush marks that are invisible in reflected light can become obvious once the lightbox is switched on. The finish can also change the image’s appearance when the light is off, which matters for graphics that are also seen in daylight.

For that reason, even application matters more here than on most jobs. A liquid lamination machine gives a much more uniform layer than hand coating; see our equipment.

Test it on a lightbox

Media notes

Backlit polyester films, PVC films and backlit fabrics each behave differently. Some have a receiving layer that can react to solvent, so test on the exact media rather than relying on results from another film.

If a lightbox job is coming up, send us a printed sample and we will check it lit and unlit before you go to production. Call 01252 624 411 or contact us through the website.

Need advice on your prints?

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